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Micuta tataroaica Gemälde ID:: 83741
Siehe Galerie in Schweden
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Micuta tataroaica Micuţa tătăroaică.
cjr Micuţa_tătăroaică.
cjr
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Fetita cu fular Gemälde ID:: 83742
Siehe Galerie in Schweden
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Fetita cu fular Fetiţa cu fular.
cjr Fetiţa_cu_fular.
cjr
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Fata in roz. Gemälde ID:: 83743
Siehe Galerie in Schweden
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Fata in roz. Fata în roz.
cjr Fata_în_roz.
cjr
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Fetita Gemälde ID:: 83744
Siehe Galerie in Schweden
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Fetita Fetiţă.
cjr Fetiţă.
cjr
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Studiu pentru un portret. Gemälde ID:: 83745
Siehe Galerie in Schweden
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Studiu pentru un portret. Studiu pentru un portret.
cjr Studiu_pentru_un_portret.
cjr
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| Vorheriger Künstler Nächster Künstler
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Nicolae Tonitza
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(Romanian pronunciation: [nikoˈla.e toˈnit͡sa]; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism, he had a major role in introducing modernist guidelines to local art.
Born in Bârlad, he left his home town in 1902 in order to attend the Iaşi National School of Fine Arts, where he had among his teachers Gheorghe Popovici and Emanoil Bardasare.The following year he visited Italy together with University of Bucharest students of archeology under the direction of Grigore Tocilescu.During that period, together with some of his fellow students, Tonitza painted the walls of Grozeşti church.
In 1908 he left for Munich, where he attended the Royal Academy of Fine Arts; he began publishing political cartoons in Furnica, and contributing art criticism articles to Arta Română. Tonitza spent the following three years in Paris, where he visited artists' studios, and studied famous paintings.Although the young artist's creation would initially conform to the prevalent style, his gift for colour and his personal touch would eventually lead him towards experiment.Throughout his life, he remained committed to the Munich School, hailing its innovative style over the supposedly "obscure imitators of Matisse".
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